© Sandra Stanton and used with her kind permission.  This is a detail from one of 13 paintings done by Sandra for a stunning 2004 calendar entitled "Medicine Wheel: Earth Astrology."   Copies can be ordered from Amber Lotus Publishing.  More of Sandra's work is at:  http://www.goddessmyths.com

Author's Note:
Wednesday, 3 September 2003, 12:07am (EDT)

When I retired from teaching in Southern California and moved to an ivy-covered house in SW Michigan this spring, I never dreamed that my move would include meeting Marian W. Love, a next door neighbor who'd help me plant a hedge of bayberries and blueberries in the autumn rains and share with me her lucid, provocative, breathtaking poetry.  In a departure from my usual practice of writing a seasonal essay, this autumn I have Marian's permission to publish several of her poems instead.  As you might guess from my choice of Sandra's painting, the poems I have chosen have to do with  endless cycles, animals, death, life, balance....

Rituals

Marian W. Love

I.

bloody carcass
  of a deer

    gore-strewn on the road

callousness that
  seeks no absolution,
    leaving death's indignity

without
  atonement

II.

       The wolf and panther
            prowl no more

            twilight woods,
  leaving ancient predators
sickness and starvation as

            grim paradox of
          success's bounty.

III.

Hunter eyes
challenge my presence
and I thrill
with fear
though I am not
the quarry of

his death-smeared
face, quiver splayed like
a gun rack
across his chest.
Does he chant
silent hymns to

spirits sacrificed,
etching inner
Lascaux walls,
or dispense death
with grim glory
in its efficiency?

Marian's clear-eyed vision is haunting, dark with sadness in the face of civilization's meager, crabbed gains.  It's been such a long path of history leading to such a hollow barrenness.  Yet the natural world, she suggests in the next four poems, still holds life's fresh inner beauty -- and witnessing that, despite all, we can continue with lighter, more grateful hearts.  As she says so often in our conversations about the trees, the wild skies, the thunder, the sunset:  "It didn't have to be so beautiful!"  Yet it is -- and there's blessing just in that.

(Note: for those, like me, who don't know what lunas are, I asked Marian and she said they're moths, exquisitely pale green, with strikingly lovely markings.  They have a symbiotic relationship only with black walnut trees.)

Actias Luna

Marian W. Love

   Messy and unlovely,
     black walnut trees
          were spared
     to nurture lunas -
pale, wided-eyed ghosts
    haunting night mists
    to bask in porchlight
           moonbeams.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Migration

Marian W. Love
 

confetti
flung skyward against rufous dawn, blackbirds
signal summer's end;
geometries of geese
sail abreast a gibbous moon

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Fox Grapes

Marian W. Love

There is an afternoon for picking fox grapes,
playing hookey from the ought-to-dos,
when a wind from the mountains blows across
October's patchwork-quilted prairie
leaving the sky clean as slate...
not milky coated as if just erased,
but with the deep glow of a fresh-washed board.

Just a borrowed moment to gather memories
as ward against the grey and bitter cold of
northern winter, collecting like coals the warmth of
wild strawberry leaves, red as summer's fruit.

To stay for these few hours the rush of time
that would steal away the hue of purple aster
unremarked, and with it the stab of
unexpected beauty.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Discarded Beauty

Marian W. Love

Collecting rare
rocks by Lake Superior.

"Now throw away half."

It was hard to
discard so much
beauty.

"Now half again."

Poetry.

Finally, in an extraordinary tribute to the human spirit, Marian wrote this late summer/early autumn poem to celebrate the 90th birthday of her Aunt Hazel T. Emry, English Professor Emeritus at Central Michigan University.

To Aunt Hazel
On the Occasion of Her 90th Birthday
August 28, 1993

Marian W. Love

Juniper-bent, into buffeting winds she stands
survivor of north winter's bitter rage,
bright umber eyes in sculpted ivory petal-soft.

Love bereft, with ancient muse far to wander
dark soul's odyssey-paths of grief, until joy
and pain converged, so to merge and heal at last.

Now youth and age, to nature's laws unmindful,
walk hand-in-hand to fetch back to her doorstep
the world, dew-fresh as love's flower in her hands.

Let me conclude, as I do each autumn, with my prayer written some years ago for these pages and carried forward each year....

****
As autumn returns to earth's northern hemisphere,
and day and night are briefly,
but perfectly,
balanced at the equinox,
may we remember anew how fragile life is ----
human life, surely,
but also the lives of all other creatures,
trees and plants,
waters and winds.

May we make wise choices in how and what we harvest,
may earth's weather turn kinder,
may there be enough food for all creatures,
may the diminishing light in our daytime skies
be met by an increasing compassion and tolerance
in our hearts.

Kathleen

Relevant Autumnal Dates and Times for the year 2003:

Autumn Equinox arrives when the sun enters Libra:
Tuesday morning, 23 September 2003 at 1047 GMT,
6:47am EDT,
3:47am PDT.
Rosh Hashanah begins at sundown on Friday, 26 September 2003;
Yom Kippur begins at sundown Sunday, 5 October 2003;
the Jewish harvest festivel of Sukkot begins at sundown Friday, 10 October 2003.
Ramadan begins around 27 October 2003 this year.

http://www.geomancy.org/quarter&cross/autumn_equinox.html

FYI: for quick reference, the above site from Sig Lonegren gives an overview of times & science for autumn equinox. He also includes significant September dates along with a fine image of Michael the Archangel for Michelmas on 29 September.

 http://www.cs.utk.edu/~mclennan/BA/OM/BA/SF/FallEq.txt

[Added 8/26/02]: This is a plain-text page on ancient Greek festivals from c. 13 September through 13 October.

...Many of the Greek and Roman festivals of this season celebrate the end of the military campaigning season.  At the end of September and beginning of October, however, the emphasis shifts to the Corn Mothers and other agricultural deities.  In many Greek states the month beginning mid-September was called Demetrion after Demeter....

The page beings with the "Great (Eleusinian) Mysteries" of Demeter and Persephone (c. Sept. 29-Oct. 5), since these are, of course, the highlight of the season.  Then it backtracks to 13 September (for the Roman feast of Jupiter, Juno and Minerva) and continues forward to 13 October, the Roman Fontinalia, a festival for Fons, the god of springs.

[Added 8/26-27/02]:  This is a continuation of the above plain-text data: ancient Greek festivals from 22 October to 15 December.

...In the Greek and Roman worlds, there are comparatively few festivals in October and November, which is the seed-time (Gr. sporetos), a season of ploughing and sowing.  Women figure prominently in these festivals since in neolithic times they were responsible for crops raising (by the Bronze Age it became a male occupation)....

The details are wonderful and more information is given on the above-mentioned feasts of Apollo, Dionysus, and Theseus.  There is also fine data for the Thesmophoria (see below).

[Added 8/26-27/02]: From N.S. Gill, the ancient history guide at about.com, comes a fine page on the Greek harvest (or "Thanksgiving") festival, Thesmophoria, which falls during October-November (also see above link):

"It is called Thesmophoria, because Demeter is called Thesmophoros in respect of her establishing laws or thesmoiin accordance with which men must provide nourishment and work the land...."

Since the fall harvest must usually take an agricultural society through winter, it is vitally important for survival. Whatever power provides that bounty deserves praise.... [This festival was]...in honor of the goddess who taught mankind to tend the soil, during a month known as Pyanopsion (Puanepsion), according to the lunisolar calendar of the Athenians. Since our calendar is solar, the month doesn't exactly match, but Pyanopsion would be, more or less, October into November....

For more on this festival, as well as on Dionysiac celebrations, see an excellent essay at: http://www.perseus.tufts.edu/classes/LAp.html

 http://www.cs.utk.edu/~mclennan/BA/OM/BA/GSF.html

[Added 8/26/02]: This is a very interesting page by John Opsopaus on three autumn festivals of ancient Greece -- these fall after the equinox but contain themes relevant to the entire season:

...Because Ancient Greek festivals were held according to a lunar calendar, which was often out of step with the solar year, it is difficult to say what festivals would correspond to Samhain.

In Homer's time the cosmical setting (first visible setting on western horizon at sunrise) of Orion, the Pleiades and the Hyades, which marked the beginning of the winter, herding season, occurred at the beginning of November (Nov. 5-10, by various computations). (Orion was the son of Poseidon and Euruale, daughter of Minos and sister of Ariadne, about whom more later.). Significantly, these constellations, which mark the seasons, are at the center of the Shield of Achilles (Iliad XVIII), that famous mandala of the Homeric Universe.

In classical Greek times there were several important festivals that nominally occur at the end of October and beginning of November. Two of these, which occur on the same day (7 Puanepsion), are especially interesting; they are followed on the next day by the Theseia (for Theseus), which is intimately connected with the first two....

Two of these festivals honor Apollo and Dionysus and are held on the same day.

...The Oskhophoria, in honor of Dionysos, occurs on the same day as the Puanepsia. It may seem odd to honor Apollo and Dionysos, so often taken as polar opposites, on the same day, but we must remember that They share Delphi, and this is the time of year when the changing of the guard occurs. An ancient pot shows Them shaking hands over the Omphalos (World Naval) at Delphi....

The third, Theseia, commemorates Theseus.  The author retells the story: "Ariadne and Theseus' Descent into the Labyrinth and Return."  The details are fascinating although it should be mentioned that the author has excluded other important ancient variants of the myth.  Nevertheless, the story includes the mysterious desertion of Ariadne by Theseus, followed by her marriage to Dionysus himself -- whose festival was celebrated only the day before.

[Added 8/26/02]:This is an engrossing, contemporary re-visioning of what might have been the ancient "Greek Ritual of the Labyrinth" (Ta Hiera Laburinthou) by John Opsopaus:

...This ritual is an initiation and celebration of new beginnings structured around the myth of Theseus, Ariadne and the Minotaur and associated Greek midautumn celebrations, which take place when Apollo yields Delphi to Dionysos for the winter months....

I have not had time to read the entire ritual (it's lengthy) but what impresses me is its mythopoetic quality and the deep psychological nuances.  Also, I appreciate the careful footnoting that links the Cretan labyrinth to displaced, but related themes, in Mesopotamian myths.

[Annotation revised 8/16/01]:   I first grokked Waverly Fitzgerald's School of the Seasons for my 1999 debut of the Autumn Equinox page.  Since then, her jewel of a site has become a favorite of mine and appears on all my seasonal pages.  The overall design is unusually tasteful and elegant.  Even more important, Fitzgerald has well-researched content on monthly celebrations, feasts, and cross-cultural holy days (with hypertext links to further information on many of these).  Her opening page also includes fascinating "Special Features" for each season.  Fitzgerald's command of lore is exceptional.

For each current month, she begins with a large number of names from various cross-cultural traditions.  Then a calendar follows.  If you click on hyperlinks for a particular day, you'll be linked to more detail on another page.  The September feasts, for example, include the Nativity of the Virgin on the 8th; Rosh Hashana; England's Day of the Holy Nut; the remembrance of the Virgin's Seven Sorrows; the God Pan; Yom Kippur; Autumn Equinox; the 9-day Eleusinian Mysteries; the Harvest Moon; Sukkoth;  the Chinese Mid-Autumn Moon Festival; and Michaelmas on the 29th.

NOTE: a new month's calendar appears on the first of each month (sometimes a night or two beforehand).

[Added 15 September 2000]:   This charming site looks at autumn and the autumnal equinox in Japan.  There are many (usually clickable) photos connected with the months of September, October, and November.  Text is fairly minimal but very useful to those unacquainted with Japan's seasonal customs.

From "Slavic Pagan Holidays" comes fine data on harvest festivals from early August to early November.  Autumn in Russia's cold Ukraine begins early -- it's celebrated on August 2nd, the feast known as St. Ilia's Day. The entire autumn season is a time of music, apples, honey, and grain sheaves:

...Sometimes the last sheaf ceremony was merged with the ritual surrounding a small patch of field that was left uncut. The spirit of the harvest was said to precede the reapers and hide in the uncut grain. This small patch was referred to as the "beard" of Volos, the God of animals and wealth. The uncut sheaves of wheat in "Volos' beard" were decorated with ribbons and the heads were bent toward the ground in a ritual called "The curling of the beard". This was believed to send the spirit of the harvest back to the Earth. Salt and bread, traditional symbols of hospitality were left as offerings to Volos' beard....

Dordona, the Hungarian Harvest Goddess
© Mary B. Kelly: see directly below

 http://www.marykellystudio.homestead.com/painting.html
          [URLs updated 8/18/01]

[Annotation revised 18 August 2001]:  This is the portfolio page of artist/professor Mary B. Kelly, whose vibrant painting (see above) of Hungary's "Black Goddess," the Harvest Goddess, Dordona, is not to be missed:

...Like her counterpart in Russia, her arms are raised. She is crowned by both the sun and the moon.

(Note: the larger version of Dordona, with text, is no longer available on this site, but you might e-mail Dr. Kelly if you wish to see it.   If you click on the menu buttons on her Portfolio page, you'll also find information on her groundbreaking books on goddess embroideries, etc.  On her Home Page, there's a large version of Dordona, by the way, but no text.)

The page offers links to paintings of many other goddesses, some of whom (e.g., Persephone & Demeter -- don't miss that one!) are also connected to autumnal harvest festivals.

[Added 20 August 2000]:Mike Nichols' series of detailed, well written essays on earth-based pagan celebrations are always worth reading.  This is his page on the history and lore of autumn equinox, or "harvest home" (he prefers not to use the Welsh term, Mabon):

...Mythically, this is the day of the year when the god of light is defeated by his twin and alter-ego, the god of darkness. It is the time of the year when night conquers day....the only day of the whole year when Llew (light) is vulnerable and it is possible to defeat him. Llew now stands on the balance (Libra/autumnal equinox), with one foot on the cauldron (Cancer/summer solstice) and his other foot on the goat (Capricorn/winter solstice). Thus he is betrayed by Blodeuwedd, the Virgin (Virgo) and transformed into an Eagle (Scorpio)....

Nichols touches on many themes.  For example, Celtic Druids have long been accused of practicing human sacrifice at this time of the year.  Nichols looks at the lack of solid evidence and argues convincingly that what these ancient celebrations had instead was the "mock sacrifice" of seasonal sacred theatre.  It was a metaphoric sacrifice, in other words -- not a literal one.  He writes:

...Jesse Weston, in her brilliant study of the Four Hallows of British myth, 'From Ritual to Romance', points out that British folk tradition is...full of mock sacrifices.  In the case of the wicker-man, such figures were referred to in very personified terms, dressed in clothes, addressed by name, etc. In such a religious ritual drama, everybody played along....

[Added 20 August 2000]: Again from Mike Nichols comes this carefully researched essay examining the Celtic deities of light and dark and their role in both equinoxes.  If you're looking for fine mythology, don't miss this one.  For example:

[After Llew is slain]...The Welsh myth concludes with Gwydion pursuing the faithless Blodeuwedd through the night sky, and a path of white flowers springs up in the wake of her passing, which we today know as the Milky Way. When Gwydion catches her, he transforms her into an owl, a fitting symbol of autumn, just as her earlier association with flowers (she was made from them) equates her with spring. Thus, while Llew and Goronwy represent summer and winter, Blodeuwedd herself represents both spring and fall, as patron goddess of flowers and owls, respectively....

For the Celtic Connection comes Akasha's lively page on Mabon, the Celtic celebration of September's autumnal equinox:

...The Druids call this celebration, Mea'n Fo'mhair, and honor the Green Man, the God of the Forest, by offering libations to trees. Offerings of ciders, wines, herbs and fertilizer are appropriate at this time....Mabon is considered a time of the Mysteries. It is a time to honor Aging Deities and the Spirit World....

Akasha looks at Mabon's themes, symbols, herbs, foods, incense, colors, gems, spells, and deities.  If you click on the Holiday Index at the bottom of the page, you'll be given access to recipes, activities (for children and teens), and ritual (see below for a direct link to the autumn ritual...).

This is a powerful, eloquent, lyrical harvest ritual from Akasha (see above).  I love her sense of sacred theatre.

Also from the Celtic Connection comes this lovely and evocative little essay by C. Austin on the "in between" nature of the Celts' autumn:

. . . . We have bid farewell to summer, but the sun's light has not yet faded. Such is the style of in between. . . . Night is falling on the year. The equinox grants us a moment of reverie, before we rush on to year's end at Samhain.

[FYI: the above excerpt was written in the late 1990's and has since been replaced by new material for 2000; I assume the page will now be updated annually -- if not, just ignore the date and times of the autumnal equinox here.]
 

Rainbow, Crone-Corn, and Harvest Moon
(detail  © Sandra Stanton's "Sacred Corn")

[Added 16 August 2001; expanded 20 August 2002]: From the Worldwide Wheat Weavers comes an attractively illustrated and informative little site on wheat-weaving and corn dollies:

...Objects made from dried straw are known to have been made in the earliest civilizations, practiced throughout Europe, Asia and South America. Harvest rituals occurred in every country where grain is grown in order to please the spirits of the crop. Abstract shapes or religious symbols made from straw were believed to insure prosperity and good luck in the next growing season.  Objects made with the heads of grain still on the stem were hung on inside walls where they safely made it through the winter.  These sacred grains were then planted the next season to assure the fertility of the entire crop....

This is "The Elders Speak: About Autumn," a page of wonderfully chosen, evocative, cross-cultural quotes about the fall season.  The page comes from the "Weather Doctor," Dr. Keith Heidorn, whose entire website on all aspects of weather (from science to philosophy to art) is a richly mulled pleasure where I love to browse.  Here is one selection from this page:

The wind that makes music in November corn is in a hurry. The stalks hum, the loose husks whisk skyward in half-playing swirls, and the wind hurries on.... A tree tries to argue, bare limbs waving, but there is no detaining the wind.  [Aldo Leopold]

Note: from this page, you can get to his home page and from there to his no-frames site map, or click here for a direct link: http://www.islandnet.com/~see/weather/general/site_map.htm

[Added 15 September 2000]:  This is a fine little essay on Mabon by "Lance" -- he looks at the season's Wine Moon, Harvest Moon, Corn Man, Wicker Man, and also offers some wonderful suggestions for celebrating the season - for example:

...go through your garden, tending it, thanking the plants and flowers for their abundance, harvesting whatever is ready, collecting seeds; make a mandala of seeds and grains on the ground, an offering of the Mother's gifts to the animals and birds; infuse it with specific magick that will be released as the seeds are consumed or scattered; honor the elders in your circle or your life in some special way....

[Added 8/25/02]:This is an engaging essay, "Lore and Magick of the Harvest," by Asherah, who belongs to Widdershins, a wiccan group in the Pacific Northwest.  She begins with her childhood Thanksgiving celebrations:

As a child, I found the only harvest celebration I knew about, Thanksgiving, pretty pallid. It didn't involve the provocative personae of Halloween; you could dress up, but you had to be an Indian or a Pilgrim, and you only dressed up at school, and that only if there were a pageant. There, it was more socially acceptable to be a Pilgrim than an Indian; the Indians provided the food, but the Pilgrims ran things. But the Pilgrims wore boring outfits. I had no use for the affair....

Then she broadens her framework to include a wide cross-cultural range of more interesting, vibrant harvest festivities found from the Old World to the New World.  Here are some samples:

...Often pagan harvest celebrations involved a whole series of festivities, of which I still generally approve, starting with a rite offering up the first fruits and culminating with a ritual centering around the final harvest. The Iroquois of the northeastern United States have a typical succession, beginning in June and lasting through early November, including feasts for the spirits of the strawberry, raspberry, bean, green corn and ripe corn and a final thanksgiving for all types of food.

The pinnacle of the harvest celebration depends on the nature of the local produce. The South American Mataco and Choroti Indians' rituals center around the algarroba harvest; Native Americans from the Andes to the northeastern United States build rituals around corn; Mediterranean peoples celebrate the vintage; Lithuanians celebrate the rye harvest. The timing of harvest celebrations also depends on geographical location. Corn ripens for the Native Americans of Mexico in June, for the Iroquois around September, and the corn harvest celebration follows accordingly....

The author doesn't provide a bibliography, but I was nonetheless struck by her passage on Slavic grain-dolls as Babas, or "Grandmothers":

...People in early European societies saw the Harvest Queen or harvest doll as the embodiment of the spirit of the crop. Keeping her safe over the winter ensured fertility for the following harvest, provided that some part of her was given to cattle or horses to eat, strewn on the fields or mixed with the next crop's seeds. However, over time, the belief in the doll as the spirit of the growing grain incarnate gave way to its being merely a symbol of abundance.

In their heyday, harvest dolls popped up all over Europe.... In Poland, the harvest doll was Baba, or Grandmother; in some localities, the woman who bound the last sheaf was herself called Baba. She was dressed in the last sheaf, carried home on the last wagon, drenched with water and generally treated as a representation of the grain spirit.

This gives an intriguingly different nuance to interpretations of the famous Russian story of Vasilisa and the usually frightening crone known as the Baba Yaga.  In that fairy tale, Vasilisa's mother leaves her daughter with a doll before she dies  -- the doll provides the young girl with crucial advice that saves her life when she meets the Baba Yaga.  But from the perspective of Asherah's essay, the doll may be a representation of the Baba Yaga herself, which means that the child's dead mother is herself a Harvest Queen, which is to say, a variant of Baba Yaga, and the child is her divine daughter, a Persephone figure, perhaps from a very early pre-Hades stratum.  In Baba's grain-world, no man alive has any power over the Maiden.

Autumn LINKS:
NEW WORLD TRADITIONS

(Landscape detail  © Sandra Stanton's "Sacred Corn")

 http://www.geocities.com/Athens/Acropolis/2007/mabon_lore.html

[Added 15 September 2000; expanded 20 August 2002]:  This is a lengthy, informative, rich page on Autumn Equinox/Mabon from "Storm Wing."  In addition to lore on Mabon and his mother Modron (and Persephone and her mother Demeter), the author gives suggestions for what to gather for your autumn rituals and also offers recipes for covenstead bread, Salem Witch pudding, Texas-style pecan pie, and blackberry wine (also for incense and potpourri).  At the end are several ritual incantations -- my favorite is to the Southwest's Blue Corn Girl (written by Noel-Anne Brennan):

Listen,
She is coming,
Blue Corn Girl is coming,
She is coming in the winds,
(Listen, she is coming)
She is coming in the sunlight,
(Blue Corn Girl is coming)
She is coming in the fallen leaves,
She is coming in the dying meadows.
Listen,
She is coming,
Blue Corn Girl is coming,
(Blue Corn Girl is coming)
She is coming
To see the harvest
(Listen, she is coming)
Of the fruits of the soil
And the fruits of the soul
Listen,
She is coming,
Blue Corn Girl is coming,
Listen,
She is coming.
Blue Corn Girl is here.
Welcome.

[Added 15 September 2000]:  This is "North Carolina Traditional Weather Lore," a brief page offering an engaging Native American (Cherokee) tale that explains why some animals like the panther and owl can see in the dark, and why some plants and trees stay green through the winter.  There's also a good collection of North Carolina folk sayings about autumn and early winter.

Pueblo Harvest Dance
From Canku Ota (artist unknown: see directly below --used with  permission)

[Added 18 August 2001]:This is a page from the award-winning Canku Ota ("Many Paths"), a thoughtful, beautifully presented e-zine on North American Native traditions, past and current.  This particular page, "Dances with Buffaloes" by Suzanne Ruta, looks at buffalo, corn and rain dances among the Pueblo peoples of the southwestern United States.  It begins with the Christmas season but then compares the dramatic winter dances with the quieter rain and corn dances of summer and autumn.  The lively essay is well written and beautifully illustrated (see above for one illustration).

Note: Canku Ota's site is huge and designed for all age groups, with special sections for children.  To explore further, here is the Home Page:  http://www.turtletrack.org/index.html

[Added 18 August 2001]:For those fortunate enough to be able to attend the harvest dances in the southwestern United States, I'm adding a handful of links with further information.  For those, like me, living too far away to attend, we can dream <smile>.  The above is a no frills page from the Pueblo of Santa Ana on dances in Central New Mexico:

There are eighteen Pueblos in addition to Santa Ana within the state of New Mexico. Visitors are usually welcome during annual events and feast days. Easy to reach -- especially in the Albuquerque area, between Albuquerque and Santa Fe, and between Albuquerque and Grants, New Mexico....

The link will take you to September through the rest of the year; scroll to the top for earlier months.

[Added 18 August 2001]:  From St. Louis (MO) Community College comes another no frills page on Pueblo Celebrations, "Yearly Calendar of Indian Dances and Events at the Pueblos."  Contacts are provided for further information.

[Added 18 August 2001]:From Guest Life: New Mexico comes yet another Pueblo events calendar, similar to the preceding two but with nearly 2 dozen telephone contacts to specific pueblos -- since dates for these dances can change at a moment's notice, these contacts are especially valuable.  This is an online e-zine with links to well written (and illustrated) articles.

[Added 22 September 2001]:   This is another site looking at autumn events among both Pueblo and more recent Navajo peoples.  It's sponsored by the New Mexico Lodging Association and includes useful phone numbers.  Here's an excerpt from the opening:

Of New Mexico's two American Indian groups, the Pueblo Indians can trace their evolution from a prehistory among pit houses and cliff dwellings to stable village life.  Many of the pit houses and cliff dwellings can be seen today. The other group, the Athapascans, which include Apaches and Navajo, arrived later - just a couple of hundred years before Europeans....

[Added 18 August 2001]: Another no frills New Mexico events calendar, but this one includes essential data on the etiquette one needs to observe when visiting a pueblo.  It also includes telephone contacts and brief travel instructions for reaching each village.

[Added 18 August 2001]: This is a brief page on Taos (NM) Pueblo.  It looks at:

...the Feast of San Gerónimo at the end of September, when hundreds and even thousands of outsiders flock to join the general revelry....

A telephone number is included.  Nearby is a casino -- and I like the quote from an elder:

As one unapologetic elder remarked, “poverty was never a part of pueblo life until the Europeans came.”

[Revised 20 August 2002]:Note: the page has now been rewritten  -- although the new data is fine, I prefer the earlier version and am keeping my original annotation.  The new page can only be reached from a pull-down menu at the new link (above). 9/2/03: If you get stuck, try for a USA link, then you should be able to find "New Mexico" in a pull-down menu.

PUMPKIN LORE

A pumpkin with a shimmering aura
(Used with the kind permission of the Salem Tarot Page --
check their well-done 3-card tarot reading)

From about.com, comes this page of links to everything you might want to know about pumpkins.  It's called "The Great Pumpkin: Pumpkin Picking, Recipes & More!"  The focus is on New England and upstate New York, but much of the data is relevant elsewhere.

From England's erudite Michael B. Quinion comes "CIDER INSIGHT: The jargon of an ancient craft."  This is on autumn cider-making in southern England. . . . . .

. . . . Yet another autumn-related essay from Michael B. Quinion is his engaging "TALKING TURKEY: Names for a much-travelled bird." [Note: a much longer entry on Quinion and his word-loving work is on my Samhain page -- see below for link.]

 

Samhain (Halloween),
and the soul-feasts of November:
I have created 2 separate pages for these at:

SAMHAIN
&
el dia de los Muertos
[Day of the Dead]

Other Related Pages from
Mything Links:

To Archived Autumn Greetings & Lore (2002)

To Archived Autumn Greetings & Lore (2001)

To Archived Autumn Greetings & Lore (2000)

To Archived Autumn Equinox/Mabon Greetings (1999)

To August's Lammas page

To Current Summer Solstice / Summer Greetings & Lore

To Eastern & Western Europe: Earth-Based Ways (Wicca)

To the Wheel of the Year

To the Crone Papers

To Indigenous Peoples of the American Southwest

To Common Themes: WEATHER-WORKING: Introduction
(An experimental on-going ritual in cyberspace)

To Common Themes: Sacred Foods

To Latin America: The Lore and History of Maize

To Common Themes: The Green Man page

28 August 2002, 2am:
Still to be Grokked

 ftp://ftp.lysator.liu.se/pub/religion/neopagan/Rituals/Holidays/Lammas/harvest_rite

[Added 7/23/02]:This is a 1987 "Harvest Home Ritual" by Michael Fix.

 http://www.witchvox.com/holidays/xmabon.html

[Added 8/20/02]:From The Witches' Voice comes a page on Mabon, or autumn equinox.

 http://www.ladybridget.com/r/sepi001.html

[Added 8/22/02]: Nice introduction to Mabon from Lady Bridget.

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Please do not link directly to my images for your own web pages -- save the images you like to your own files instead.  Otherwise you are stealing from graphics-rich sites like mine.  Since that means I have to pay for each download if my own quota is exceeded each month, I may have to shut down these pages. Thank you.

Note: my complete Site Map and e-mail address are on my Home Page.

To hear the embedded music, you'll need to have your JavaScript enabled (and not be on AOL). The "square" on the mini-console below will stop the sound; the "triangle" will start it again; the two lines will pause it; the slider controls the volume.

<BGSOUND SRC="Romanian~eerie~moldva094.mid" LOOP=infinite>

This Hungarian love song, Kerek a szolo levele, is at least 200 years old; it comes from a region in what is now Romania, so it's known among both non-Slavic and Slavic peoples.  Courtesy of Robert Szlizs, whose collection of Hungarian music is at Robert's Midi Creations.

Text and layout © 1999-2004 by Kathleen Jenks, Ph.D.
All rights reserved.

1999 = Page first created & designed 22 June 1999, 2:15am PDT;
page put online Saturday, 14 August 1999 (see Archived 1999 Page for more specifics).
2000 = 18 August 2000: added new links for current year --
unless noted, all links are from 1999, but newly revised and updated for 2000:
see Archived 2000 Page for more specifics.
2001 = 6 August 2001: began revising images for Autumn 2001 (see Archived 2001 Page for more specifics).
2002 = 20-23 August 2002:  new art added; see Archived 2002 Page for more specifics.
2003 = 2-3 September 2003: designed new page for this year & checked all links.
Then wrote a brief opening and added Marian's poetry;
more poetry added 9/4/03 & revised Medicine Wheel image.
Launched 9:22pm EDT, 6 September 2003 after final proofing & adding Lunas poem;
10/22/03: changed Sandra's Medicine Wheel to a better version that she just sent me.